Gallery

Supported by the Luna Foundation, Casa Luna offers a nurturing space for deep reflection, playful experimentation, and creative renewal. The gallery reflects what unfolds when artists are held with care: projects shaped by curiosity, community, and meaningful expression, each contributing to the shared cultural life that Casa Luna exists to sustain.

Gallery

Supported by the Luna Foundation, Casa Luna offers a nurturing space for deep reflection, playful experimentation, and creative renewal. The gallery reflects what unfolds when artists are held with care: projects shaped by curiosity, community, and meaningful expression, each contributing to the shared cultural life that Casa Luna exists to sustain.

Gallery

Supported by the Luna Foundation, Casa Luna offers a nurturing space for deep reflection, playful experimentation, and creative renewal. The gallery reflects what unfolds when artists are held with care: projects shaped by curiosity, community, and meaningful expression, each contributing to the shared cultural life that Casa Luna exists to sustain.

Amy Sass

Winter 2025 – 2026

Amy is a multi-disciplinary artist with an insatiable hunger for creative practice. She challenges teams of artists and innovators to leap together into the unknown.

For more than 20 years, she has dedicated every inch of her life to the study and practice of ensemble. The creator of FIERCE PLAY, a holistic, interdisciplinary approach to collaboration, story building, and content generation, Amy regularly teaches workshops, leads retreats, and provides creative consultancies to artists and institutions. As Co-founder of The Flight Deck, a multidisciplinary performance venue, she is dedicated to co-creating equitable creative spaces.

As an artist, Amy is known to push the edge through form and content. A lover of spectacle, she brings her visual artist’s eye to the stage, creating mythic worlds and contemporary folktales, combining bold tactile elements with adventurous choreography and dramatic storytelling.​

In all her endeavors, Amy works from the gut, using theater and art as vehicles for healing, empowerment, and social change.

To learn more, purchase Amy’s artwork, or engage a commission, click here.

Amy Sass

Winter 2025 – 2026

Amy is a multi-disciplinary artist with an insatiable hunger for creative practice. She challenges teams of artists and innovators to leap together into the unknown.

For more than 20 years, she has dedicated every inch of her life to the study and practice of ensemble. The creator of FIERCE PLAY, a holistic, interdisciplinary approach to collaboration, story building, and content generation, Amy regularly teaches workshops, leads retreats, and provides creative consultancies to artists and institutions. As Co-founder of The Flight Deck, a multidisciplinary performance venue, she is dedicated to co-creating equitable creative spaces.

As an artist, Amy is known to push the edge through form and content. A lover of spectacle, she brings her visual artist’s eye to the stage, creating mythic worlds and contemporary folktales, combining bold tactile elements with adventurous choreography and dramatic storytelling.​

In all her endeavors, Amy works from the gut, using theater and art as vehicles for healing, empowerment, and social change.

To learn more, purchase Amy’s artwork, or engage a commission, click here.

Amy Sass

Winter 2025 – 2026

Amy is a multi-disciplinary artist with an insatiable hunger for creative practice. She challenges teams of artists and innovators to leap together into the unknown.

For more than 20 years, she has dedicated every inch of her life to the study and practice of ensemble. The creator of FIERCE PLAY, a holistic, interdisciplinary approach to collaboration, story building, and content generation, Amy regularly teaches workshops, leads retreats, and provides creative consultancies to artists and institutions. As Co-founder of The Flight Deck, a multidisciplinary performance venue, she is dedicated to co-creating equitable creative spaces.

As an artist, Amy is known to push the edge through form and content. A lover of spectacle, she brings her visual artist’s eye to the stage, creating mythic worlds and contemporary folktales, combining bold tactile elements with adventurous choreography and dramatic storytelling.​

In all her endeavors, Amy works from the gut, using theater and art as vehicles for healing, empowerment, and social change.

To learn more, purchase Amy’s artwork, or engage a commission, click here.

Josh Costello

November 2025

Josh is the Executive Artistic Director of the Lark Theatre, a nonprofit arthouse movie theatre in Marin County. Previously, he was the Artistic Director of Aurora Theatre Company, where he directed the world premiere of Jonathan Spector’s Tony-winning Eureka Day.

 

Throughout his career, Josh has worked to make theatre more accessible for more people, sharing a passion for the visceral experience of live theatre with new audiences and underserved communities. He was the founding Artistic Director of Impact Theatre, which built a new audience of people in their teens and twenties. As the Artistic Director of Expanded Programs at Marin Theatre, Josh created and administered several programs that built relationships with new audiences. At Aurora, Josh initiated student matinee and Community Partner programs and led a revision of Aurora’s mission to emphasize the theatre’s role as storyteller to the community.

Josh has directed three world premieres to win the Glickman Award for Best New Play in the Bay Area: Jonathan Spector’s Eureka Day and This Much I Know at Aurora, and Aaron Loeb’s Ideation at SF Playhouse, which transferred to 59E59 in NYC, won the Theatre Bay Area Award for Outstanding Direction, and was named a NY Times Critic’s Pick. At Aurora, Josh also directed the second production of Liz Duffy Adams’ Born with Teeth, The Importance of Being Earnest, Detroit, The Heir Apparent, Exit Strategy, and Wittenberg. Other directing work includes My Children! My Africa!, Lovers & Executioners, and the 2025 production of Eureka Day at Marin Theatre, House of Lucky at Magic Theatre, the world premieres of Lauren Gunderson’s Toil & Trouble and Zayd Dohrn’s Reborning, and his adaptations of Cory Doctorow’s Little Brother, Aphra Behn’s The Rover, and Rostand’s Cyrano.

Josh was the Education Director at Marin Shakespeare Company, and a faculty member at Cal Shakes, ACT, SF Shakes, UC Riverside, Cal State Long Beach, South Coast Rep, and the American Academy of Dramatic Arts.

Josh holds a BFA in Theatre from Boston University and an MFA in Directing from the University of Washington, Seattle.

To learn more about Josh’s work, click here.

Josh Costello

November 2025

Josh is the Executive Artistic Director of the Lark Theatre, a nonprofit arthouse movie theatre in Marin County. Previously, he was the Artistic Director of Aurora Theatre Company, where he directed the world premiere of Jonathan Spector’s Tony-winning Eureka Day.

 

Throughout his career, Josh has worked to make theatre more accessible for more people, sharing a passion for the visceral experience of live theatre with new audiences and underserved communities. He was the founding Artistic Director of Impact Theatre, which built a new audience of people in their teens and twenties. As the Artistic Director of Expanded Programs at Marin Theatre, Josh created and administered several programs that built relationships with new audiences. At Aurora, Josh initiated student matinee and Community Partner programs and led a revision of Aurora’s mission to emphasize the theatre’s role as storyteller to the community.

Josh has directed three world premieres to win the Glickman Award for Best New Play in the Bay Area: Jonathan Spector’s Eureka Day and This Much I Know at Aurora, and Aaron Loeb’s Ideation at SF Playhouse, which transferred to 59E59 in NYC, won the Theatre Bay Area Award for Outstanding Direction, and was named a NY Times Critic’s Pick. At Aurora, Josh also directed the second production of Liz Duffy Adams’ Born with Teeth, The Importance of Being Earnest, Detroit, The Heir Apparent, Exit Strategy, and Wittenberg. Other directing work includes My Children! My Africa!, Lovers & Executioners, and the 2025 production of Eureka Day at Marin Theatre, House of Lucky at Magic Theatre, the world premieres of Lauren Gunderson’s Toil & Trouble and Zayd Dohrn’s Reborning, and his adaptations of Cory Doctorow’s Little Brother, Aphra Behn’s The Rover, and Rostand’s Cyrano.

Josh was the Education Director at Marin Shakespeare Company, and a faculty member at Cal Shakes, ACT, SF Shakes, UC Riverside, Cal State Long Beach, South Coast Rep, and the American Academy of Dramatic Arts.

Josh holds a BFA in Theatre from Boston University and an MFA in Directing from the University of Washington, Seattle.

To learn more about Josh’s work, click here.

Josh Costello

November 2025

Josh is the Executive Artistic Director of the Lark Theatre, a nonprofit arthouse movie theatre in Marin County. Previously, he was the Artistic Director of Aurora Theatre Company, where he directed the world premiere of Jonathan Spector’s Tony-winning Eureka Day.

 

Throughout his career, Josh has worked to make theatre more accessible for more people, sharing a passion for the visceral experience of live theatre with new audiences and underserved communities. He was the founding Artistic Director of Impact Theatre, which built a new audience of people in their teens and twenties. As the Artistic Director of Expanded Programs at Marin Theatre, Josh created and administered several programs that built relationships with new audiences. At Aurora, Josh initiated student matinee and Community Partner programs and led a revision of Aurora’s mission to emphasize the theatre’s role as storyteller to the community.

Josh has directed three world premieres to win the Glickman Award for Best New Play in the Bay Area: Jonathan Spector’s Eureka Day and This Much I Know at Aurora, and Aaron Loeb’s Ideation at SF Playhouse, which transferred to 59E59 in NYC, won the Theatre Bay Area Award for Outstanding Direction, and was named a NY Times Critic’s Pick. At Aurora, Josh also directed the second production of Liz Duffy Adams’ Born with Teeth, The Importance of Being Earnest, Detroit, The Heir Apparent, Exit Strategy, and Wittenberg. Other directing work includes My Children! My Africa!, Lovers & Executioners, and the 2025 production of Eureka Day at Marin Theatre, House of Lucky at Magic Theatre, the world premieres of Lauren Gunderson’s Toil & Trouble and Zayd Dohrn’s Reborning, and his adaptations of Cory Doctorow’s Little Brother, Aphra Behn’s The Rover, and Rostand’s Cyrano.

Josh was the Education Director at Marin Shakespeare Company, and a faculty member at Cal Shakes, ACT, SF Shakes, UC Riverside, Cal State Long Beach, South Coast Rep, and the American Academy of Dramatic Arts.

Josh holds a BFA in Theatre from Boston University and an MFA in Directing from the University of Washington, Seattle.

To learn more about Josh’s work, click here.

Jennifer Boesing

Summer 2025

Jennifer began working professionally as a singer/actor in Minneapolis at the age of nine. Before she graduated from high school, she had performed with At the Foot of the Mountain Theater Company, Mabou Mines Theater, Heart of the Beast Puppet and Mask Theater, the Minnesota Orchestra, and the Minnesota Opera.

Jennifer graduated from the Neighborhood Playhouse School of the Theater in New York City, where she studied acting with Sanford Meisner and Richard Pinter.  In 2002 she earned a Masters in Music from the San Francisco Conservatory of Music, where she received the Award for Outstanding Achievement in Operatic Performance.  Locally, she has performed  opera, oratorio, and new music theater; her professional credits include work with San Francisco Opera Center, San Francisco Lyric Opera, Pocket Opera, Golden Gate Men’s Chorus, Gold Coast Chamber Players, Berkeley Symphony Orchestra, Berkeley Opera, Oakland East Bay Symphony, Oakland Opera Theater, Festival Opera, and North Bay Opera.  She has been teaching voice privately since 1998.

Boesing began working with Korsa Musical Theater in 2000 as Music Director, and served as Vocal Coach in 2002. In 2004, she came on board as Korsa Musical Theater’s stage director, assisted the company in forming a board and incorporating as a non-profit in 2004, took on the mantle of Artistic Director, and began to design, implement and teach acting and musical theater workshops throughout the season. Boesing has been leading the company as its Producing Artistic Director since 2012.

To learn more about Jennifer’s work, click here.

Renee Simard

Fall 2024

Renee’s work focuses on the overlooked and unglamorous, revealing subtle emotion in human portraits, trampled leaves, dead insects, and weathered cotton bolls. She is drawn to the visible effects of time on nature, objects, and people, and seeks to create work that functions as visual poetry. Quiet, attentive, and at times unexpectedly beautiful.

She is a Seattle-based artist, born and raised in Northern Québec, Canada. With a lifelong interest in art, she began her formal training at Gage Art Academy in Seattle in 2014 and holds Exhibiting Status with the Federation of Canadian Artists.

Growing up speaking French in a small rural town, she seeks connection with artists from around the world and believes that painting and drawing are universal languages. This conviction was reinforced while studying Academic Painting and Drawing at the Repin Academy of Art in St. Petersburg, Russia, in July 2018.

She draws and paints every day, working primarily from still life. She is especially drawn to the magic and humor of trompe-l’œil painting (from the French term meaning “to trick the eye”) and admires works by Jan van Eyck, Juan Sánchez Cotán, William M. Harnett, John F. Peto, and René Magritte. Her work explores the emotional resonance of objects.

Her work has been featured in Artists & Illustrators (UK), November 2017, and she exhibited a painting at the London Art Biennale in 2021. Her paintings are held in private collections in Australia, Canada, and the United States.

To learn more, purchase Renee’s artwork, or engage a commission, click here. 

Renee Simard

Fall 2024

Renee’s work focuses on the overlooked and unglamorous, revealing subtle emotion in human portraits, trampled leaves, dead insects, and weathered cotton bolls. She is drawn to the visible effects of time on nature, objects, and people, and seeks to create work that functions as visual poetry. Quiet, attentive, and at times unexpectedly beautiful.

She is a Seattle-based artist, born and raised in Northern Québec, Canada. With a lifelong interest in art, she began her formal training at Gage Art Academy in Seattle in 2014 and holds Exhibiting Status with the Federation of Canadian Artists.

Growing up speaking French in a small rural town, she seeks connection with artists from around the world and believes that painting and drawing are universal languages. This conviction was reinforced while studying Academic Painting and Drawing at the Repin Academy of Art in St. Petersburg, Russia, in July 2018.

She draws and paints every day, working primarily from still life. She is especially drawn to the magic and humor of trompe-l’œil painting (from the French term meaning “to trick the eye”) and admires works by Jan van Eyck, Juan Sánchez Cotán, William M. Harnett, John F. Peto, and René Magritte. Her work explores the emotional resonance of objects.

Her work has been featured in Artists & Illustrators (UK), November 2017, and she exhibited a painting at the London Art Biennale in 2021. Her paintings are held in private collections in Australia, Canada, and the United States.

To learn more, purchase Renee’s artwork, or engage a commission, click here. 

Renee Simard

Fall 2024

Renee’s work focuses on the overlooked and unglamorous, revealing subtle emotion in human portraits, trampled leaves, dead insects, and weathered cotton bolls. She is drawn to the visible effects of time on nature, objects, and people, and seeks to create work that functions as visual poetry. Quiet, attentive, and at times unexpectedly beautiful.

She is a Seattle-based artist, born and raised in Northern Québec, Canada. With a lifelong interest in art, she began her formal training at Gage Art Academy in Seattle in 2014 and holds Exhibiting Status with the Federation of Canadian Artists.

Growing up speaking French in a small rural town, she seeks connection with artists from around the world and believes that painting and drawing are universal languages. This conviction was reinforced while studying Academic Painting and Drawing at the Repin Academy of Art in St. Petersburg, Russia, in July 2018.

She draws and paints every day, working primarily from still life. She is especially drawn to the magic and humor of trompe-l’œil painting (from the French term meaning “to trick the eye”) and admires works by Jan van Eyck, Juan Sánchez Cotán, William M. Harnett, John F. Peto, and René Magritte. Her work explores the emotional resonance of objects.

Her work has been featured in Artists & Illustrators (UK), November 2017, and she exhibited a painting at the London Art Biennale in 2021. Her paintings are held in private collections in Australia, Canada, and the United States.

To learn more, purchase Renee’s artwork, or engage a commission, click here.